Yannick Adam, from Moreno Architecture, shares his favourite furniture designs. Photo: Christophe Bustin

Yannick Adam, from Moreno Architecture, shares his favourite furniture designs. Photo: Christophe Bustin

After studying architecture at Saint-Luc Liège, Yannick Adam joined Moreno Architecture in 2001. As well as being an architect, he developed a keen interest in interior design and strengthened his expertise during his time with the agency. Since 2023, he has been one of the managing partners of the architectural firm.

Bob Split (2017/2024)

Bernstrand & Borselius, Blå Station

The Bob Split sofa by Bernstrand & Borselius. Photo: Blå Station

The Bob Split sofa by Bernstrand & Borselius. Photo: Blå Station

“This sofa system has been revisited this year with an addition of new modules. It offers almost unlimited modular options, with a wide range of finishes and accessories.”

Cloud Softlight (2010)

Stephanie Forsythe + Todd MacAllen, Molo

The Cloud Softlight luminaire by Stephanie Forsythe + Todd MacAllen. Photo: Molo

The Cloud Softlight luminaire by Stephanie Forsythe + Todd MacAllen. Photo: Molo

“This suspended paper luminaire is almost sculptural. It creates a canopy of soft, luminous and acoustic shapes.”

Nuvola (2024)

R&D Bralco, Bralco

The Nuvola workstation from R&D Bralco. Photo: Bralco

The Nuvola workstation from R&D Bralco. Photo: Bralco

“This height-adjustable workstation features rounded shapes that adapt to ergonomics and space thanks to the many nuances of its finishes.”

Kall (2024)

x Studio, Kettal

The Kall cabin by x Studio. Photo: Kettal

The Kall cabin by x Studio. Photo: Kettal

“Based on the traditional telephone booth model, Kall stands out for its clean lines and elegant wood finishes.”

Pony (2022)

Relvãokellermann, Gumpo

Pony seating from Relvãokellermann. Photo: Gumpo

Pony seating from Relvãokellermann. Photo: Gumpo

“A connected seat and table combination in lacquered wood finish, which can be used intuitively as much as a side table as a small desk.”

This article was written in  for the  supplement of the  issue of Paperjam, published on 20 November. The content is produced exclusively for the magazine. It is published on the website as a contribution to the complete Paperjam archive. .

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